Lalitopakhyanam
Number of names which are in Lalita Sahasranamam are explained in this story.The narration is written in the form of conversation between Hayagreeva and the sage Agastya.
Agastya said, “Hayagreeva! Kindly let me know in detail which form of Para Shakti (The Divine Mother, the Supreme Power) will bestow both food and salvation to the devotees in the Kali Yuga”.
Hayagreeva replied, “Lalita Devi is the only Goddess who has the power to do so. Listen to her story”.
Birth of Bhandasura.
Shukracharya asked all the demons to move to the new city. He crowned Bhandasura as the king of the newly formed kingdom and made Vishukra and Vishanga the Yuvarajas (princes) of that kingdom. Bhandasura had four wives. 1. Sammohini, 2. Kumudini, 3. Chitrangi 4.Sundari. Under the guidance of Shukracharya, activities like fire sacrifices, Vedic education and penance went on uninterruptedly in every house.
Tormenting of the three worlds: When the kingdom was well established, Bhandasura called for a meeting of his brothers and ministers and said:
A) Devatas (Gods) are our enemies. As long as Manmatha was alive, their lineage continued without any problems. They also enjoyed many pleasures.
B) Now, because of our luck, we have taken birth from the ashes of Manmatha. The gods are trying to see that Manmatha is born again. We should not allow that to happen. Before they try anything like that, we should kill the Devatas.
C) But, if we go in our present form, we can not win. Let us therefore assume the form of air and enter their bodies. D) After having so entered their bodies, let us dry up their body fluids, especially the semen.
E) If semen dries up, the strength of other tissues and organs will automatically diminish. Then they will automatically be annihilated.
F) Let us torment the beings of all the three worlds by entering their bodies in the form of air and by drying up their body fluids.
A. Rasa itself is the form of Paramatma, the Almighty.
B. From Rasa are created Shukla (sperm) and Shonita (ovum). These two are collectively called as Veerya.
C. From Veerya comes Kanti (radiance), Utsaaha (enthusiasm), Ullasa(happiness), Dharma (righteousness), Daya (compassion), Preeti (love),Buddhi (intellectual capabilities), Vikasa (development), Parakrama (valour)Shastra Vijnana (scientific knowledge), Kala Asakti (interest in arts), Soundarya Drishti (proper concept of beauty) etc.
D. In plants, the Rasa enhances the fire energy, which is hidden in them. Only when the fire energy is harnessed, the plants can branch out and bear flowers and fruits. Because of this fire principle, the dried logs catch fire easily and burn.
E. The Vedas have declared that beings can experience happiness only if Rasa is present. F. Rasa is nothing but Prana (vital energy). G. Having known all these secrets, Bhandasura devised the plan of entering the bodies of all beings in the form of air and drying them up.
A. Your present condition is due to the invisible foul play of Bhandasura.
B. Even I have lost the affinity for Goddess Lakshmi. What to say about other lesser beings?
C. Myself, Brahma and Rudra are Karana Purushas (causal beings for the manifest creation). Even then, because we are also inhabiting this creation, even we can not escape the torture of Bhandasura. D. There is however one Almighty God who is beyond this manifest Brahmanda. He is called Maha Shambhu. Parashakti is constantly in His Company.
E. He is devoid of form. He is not dependent on anything. He has nomodifications. He is greater than the greatest. He is the ultimate.
F. He is not influenced by the foul play of Bhandasura, who is born from the ashes of Manmatha.
G. He can rescue us from our difficulties. Therefore, let us all take refuge in Him and praise Him. Follow me.
So saying, Sri Hari led all the angels to the brim of the Brahmanda (Universe). There was a huge wall like fence there. The angels summoned the celestial elephants to break the wall. After toiling continuously for one year, a breach was formed in the wall. After passing through the breach, they saw Chinmaya Akasha, which was Niralamba (independent), Nirajnana (untainted) and which was devoid of the five elements. They all stood in that Chinmaya Akasha and sang the glory of Maha Shambhu, who was of the form of Chidakasha. Then Maha Shambhu appeared before them. He was dark like clouds. He had two hands. He was holding a Shoola (spear) in one hand and a Kapala (skull) in the other. He had three eyes. Parashakti also appeared before them. She was holding Aksha Mala (rosary of beads) and Pustaka (book) in Her hands. She was bright and cool like the moon. The great Maha Shambhu smiled and said
A. I am aware why you have all come here.
B. Pralaya (destruction) is of three types. (i) Avaantara Pralaya (ii) Maha Pralaya and (iii) Kama Pralaya.
C. I am the one who is responsible to rescue the world from Maha Pralaya. Vishnu is the one who rescues from Aavantara Pralaya. It is Lalita Parameshwari who rescues from Kama Pralaya.
D. These three kinds of Pralaya take place in a cyclic pattern in every Kalpa. Now, Kaamika Pralaya has taken place because of the destruction of Kama and subsequently due to the actions of Bhandasura.
E. Only Lalita Devi can rescue from this situation. Parashakti alone can create another Lalita Devi. Therefore, take shelter in her. Beg her to help you.
Hearing this, the Devatas did not know what to do. They again prayed to Maha Shambhu to teach them the method of appeasing Parashakti.
Maha Shambhu explained:
A. This is called as Maha Yaga. (great fire sacrifice)
B. I am (assuming the form of Vayu) the Hota (the priest who makes the offerings in a Homa) in this Yaga (fire sacrifice).
C. My Chidagni itself is the fire in this Yaga.
D. The last of the seven seas, i.e., Jala Samudra (Water Sea) has now dried up. The huge pit so formed itself is the Homa Kunda (fire pit where Homa is performed)
E. The remaining six great oceans constitute the six drops of ghee which is used as offering.
F. Srishti (creation) is of five types (i) Manasa Srishti (ii) Jarayavee Srishti (creation-taking place through the womb (iii) Anda Srishti (creation taking place through eggs) (iv) Swedaja Srishti (creation taking place through sweat) and (v) Udbhijja Srishti (creation taking place by sprouting). These five Srishtis (creations) are the sacrifice animals in this Maya Yaga.
G. Bhoomi (land), Parvata (mountains), Jala (water), Vayu (air) and Akasha (space) these five are the substances used in this fire sacrifice. Agni element (one of the five elements) being a part of my Chidagni can not be a substance to be offered.
H. At the end of this great fire sacrifice, all of you (the performers of the Yaga) should jump in to the Homa Kunda (fire pit). While doing so, you must possess absolute devotion.
I. Then, Lalita Parameshwari will manifest.
J. She will be seated in a chariot called Chakra Raja Ratha.
K. She will create Parabrahma in the name of Kameshwara and will have Him as Her consort.
L. This couple will re-create the entire universe, which will turn out to be more beautiful than the previous creation.
M. Lalita Parameshwari will bring Manmatha back to life.
N. She will create four weapons, namely (i) Ikshu Dhanus – a bow of sugarcane (Mano roopekshu kodanda – is one of the 1000 names of Goddess Lalita) (ii) five Pushpa Banas – flower arrows (Pancha tanmatrasaayaka is one of the 1000 names), (iii) Paasha – noose (Raaga svaroopapaashaadhyaa – is one of the 1000 names of Lalita) and (iv) Ankusha (a hook, especially an elephant driver’s hook) (Krodha-akaaran kushojjvala is one of the descriptions of Lalita)
O. With the help of these weapons, she will destroy Bhandasura.
P. She will bring Manmatha back to life.
Q. She will give you fresh bodies.
R. If you all agree, I will begin this great sacrifice myself.
Manifestation of Lalita Devi.
The Sri Chakra Raja Ratha had the following dimensions:
A. Width 4 Yojanas (1 Yojana is approximately 9 miles)
B. Height 10 Yojanas
C. Parvas (landings) 9 in number
D. Chakras (wheels) – the four Vedas.
E. Horses – the four-fold aims (Purusharthas)
F. Flag absolute bliss.
G. The seat at the topmost landing is the Bindu Peetha.
H. Form - of the form of Meru Prastara.
I. The material that was used to make this was ‘Tejas’.
Order of Creation. She extended Herself in both male and female forms and continued the process of creation.
A. From the left eye, which was of the nature of Soma (moon) came Brahmaand Lakshmi Devi.
B. From the right eye, which was of the nature of Soorya (sun) came Vishnu and Parvati.
C. From the third eye, which was of the nature of Agni (fire), came Rudra and Sarasvati.
D. Lakshmi & Vishnu, Shiva & Parvati and Brahma & Sarasvati became couples.
E. Lalita Devi directed them to continue the process of Creation. She herself continued to create certain things.
Devi vijaya yatra (Devi’s victory procession)
Then, from the bird in the hands of Mantrini devi, appeared god Dhanurveda with a spectacular bow in his hand and said “Mother! this bow is called chitrajeevam. This quiver is akshaya (=one which is unlimited, fills up spontaneously). Please accept them for demolishing the demons.” Now Lalita devi started moving with sugarcane, bow, arrows, spear and whip in the ‘srichakraraja’chariot. She is being praised with 25 names - simhasanesi lalitha maharajni varankusha sundari chakranathacha samrajni chakrini rathachakreshwari mahadevi kameshi parameshwari kamaraja priyakamakotika chakravartini mahavidya shivananga vallabha sarvapatalakulanatha amnayanatha sarvamnaya nivasinishringara nayika cheti panchavimshati namabhih. One who recites this stotra attains ashta siddhi (8 spiritual accomplishments) Bandasura vadhodyukta shaktisena samanvita in Lalita sahasranama stotram means one who is ready with her army (shakti sena) to annihilate Bhandasura.
Bhanda’s war preparation:
a.) All gods have burnt themselves by jumping into fire, out of despair.
b.) From that fire arose mother goddess, who rejuvenated all gods
c.) She is coming for a war with us, along with an army of women
d.) Those gods are trying to cut stones using tender leaves
e.) Even then we should not neglect that woman. We must send our army immediately.
Vishanga said:
a.) Any work should only be done after properly thinking about it.
b.) First we must send spies and see how powerful their army is.
c.) We must not under estimate the enemies army.
d.) In the past Hiranyakashipa was killed by an animal.
e.) Sumbha and Nishumbha were killed by a woman.
f.) So, we must get more information about her
g.) Who is she ? Who is supporting or protecting her? What does she want? All these queries should be answered.
In that meeting it was decided that Vishanga would attack devi’s army from its rear side in a treacherous way (This is called Parshti grahamu). This decision was taken because they got information from their spies that Lalita devi was having less army and protection at her rear end and it was easier for them to approach Lalita devi directly and attack her, if they approached from the rear. After the first day’s war, at dusk, Vishanga with a small army proceeded to the rear of Lalita devi’s army noiselessly without any drums. By then Lalita devi’s army was moving westward. Vishanga along with his army moved north wards and then turned to reach eastern side. He was able to see Srichakraraja chariot very near to him. Lalita devi was looking forward observing the movement of the army. She was not having much army close to her. Taking this opportunity Vishanga attacked devi’s chariot from the rear, all of a sudden.
Anima and other gods who were present there were taken back at this sudden attack but quickly recovered themselves and prepared for a counter fight. Exactly at the same time Kutilaksha along with ten akshohini army attacked from the front side. Seeing attack from both ends Lalita devi was a little angry. In the mean while, struck by an arrow from Vishanga, the fan present in Lalita devi’s hand fell down andbroke. Seeing this Tithidevatas got very angry. They went and requested Lalita devithat Vahnivasini and Jwalamalini nitya devas have property and capacity of self illumination. If they glow then the demons who are in the dark will all becomevisible. With the permission of Lalita devi, Vahnivasini and Jwalamalini devis started glowing like fireballs. All the demons who were hiding in darkness now becamevisible. Now the 16 nitya devi’s became outrageous and attacked Vishanga’s army. All the commanders in the demons army died. Wounded all over the body Vishanga fled for his life shamelessly. Even Kutilaksha who attacked from the front also fled. (In Lalita sahasranama - nityaparakrama topa nirikshana samatsuka =seeing the valour of nityadevatas, Lalita devi was very pleased). Mantrini devi and Dandanatha devi felt unhappy about this unprecedented attack in the night They felt very sorry that their arrangements of protection were not up to the mark. Agni prakara (compound wall made of fire). Both of them went to Lalita devi, expressed sorry for what had happened and made arrangements for protection. At the instance of Lalita devi, Jwalamalini devi made a compound wall of fire around the devi’s army The fire wall is 100 yojana wide and 30 yojana tall. (1 yojana is approximately 8 miles). At the southern end of fire wall is a 1 yojana long entry, to enable devi’s army to go out and fight because Shunyapuram is facing this end. (L.S.N—jwalamalinikashipta vahniprakaramadhyaga)Stambhini devi a member of Dandanatha devi family along with 20 akshohinisenas was protecting this entry point. She is also called Vighna devi. By then it was dawn.
Knowing all this news Bhandasura was in despair and started thinking what to do. This time he sent all his 30 sons for the war. After listening to this news Lalita devi’s daughter Baladevi wanted to fight these demons herself. Baladevi is the only daughter of Lalita devi .She resembles Lalita devi very much but is always only years old .She stays permanently with her mother.. Baladevi approached her mother and requested for permission to fight in thebattlefield.. At the outset Lalita devi denied but looking at the courage and will power exhibited by Bala devi she ultimately gave permission. Seeing Bala devi coming for the war Mantrini and Dandanayaka were astonished and they stood as her body guards. Now Baladevi started ferocious fighting with Bhanda’s sons. Every one was surprised at her valor. Whole of the second day Baladevi fought. That evening she shot 30 arrows at a time and killed the 30 sons of Bhanda. Lalita devi was very happy and she embraced her daughter (Bhanda putra vadhodyukta bala vikrama nandita). Bhanda was grief stricken. Desperately he himself started off for the war. Vishukra and Vishanga pacified Bandasura.
Vighnayantra Naashanam (Destruction of the mystic symbol of obstacles).
Vishukra sent Gajasura to attack him but soon Gajasura was slayed. Seeing this Vishukra ran away.
Annihilation of Vishukra and Vishanga.
After discussing with Bhandasura, Vishukra came back to war, along with his brother Vishanga and son-in-law. With this the third day war had started. Mantrini and Dandanatha both started to fight simultaneously. In the front was Dandanatha devi mounted on her kirichakra ratha with her plough weapon (halayudha) swirling it rapidly. Behind her was Mantrini devi mounted on Geyachakra ratha as an archer with bow and arrows. Dandanatha devi attacked Vishunga. Mantrini devi confronted Vishukra.. Ashwarudha, Sampatkari and others attacked the son- in-law of the demons who had come..The army of the demons started slackening. Noticing this Vishukra discharged Trushastram (weapon which produces thirst). Shaktisena’s army started to experience intense thirst. Then Dandanatha devi invited ‘Madyasamudra’(=ocean of liquor) devata from her kirichakra and quenched their thirst. Madyasamudra deva showered liquor rains. With that the army quenched their thirst and rejuvenated.. By sunset most of the demons including Bhanda’s son-in-law had died. Then Shyamala devi (Mantrini) fought with Vishukra and killed him with ‘Brahmashironamakastra’ (a powerful weapon named brahmashira). Dandanatha devi (Potrini) killed Vishanga with her plough weapon and pestle. However in Lalita sahasranama it is mentioned that Vishukra was killed by Varahiand Vishanga was killed by Mantrini-Mantrinyamba virachita vishanga vadhatoshitaVishukra prana harana varahiveryanandita. By then it was past midnight.
Slaying of Bhandasura
Only Kutilaksha the commander in chief was left over to console Bhandasura. Bhanda along with Kutilaksha started towards the battlefield. 2185 akshohini army along with 40 commanders followed him. He boarded a chariot named ‘Aabhilamu’(=dreadful). It is dragged by 1000 lions instead of horses. His sword is named Yatana (= torture in hell).
Noticing this Lalita devi herself started moving in her Srichakra raja ratha towards the warfront. Behind her was Mantrini in the Geyachakra ratha followed by Potrini in kirichakraratha. Other shakti deities followed her in crores. In the usage of sastra’s (mystic weapons) and pratyastra (corresponding neutralising weapons), none of them were drawn aback (LSN—Bhandasurendra nirmukta shastra pratyastra varshini)
Now Bandasura by his mystical powers regenerated Madhukaitabha, Raktabija and other old demons. Then Lalita devi made a violent frenzied laughter –Durga devi and other deities described in chandi saptashati were born and slayed these demons. Now Bhanda generated Somaka and other demons. Then Lalita devi generated the 10 incarnations of Vishnu from the finger tips of her hands (LSN – Karanguli nakhotpanna narayana dasakrutih). Sun was about to set. Lalita devi decided not to delay any more. She then discharged Narayana astra and Pashupata astra and destroyed the demons and their commanders who were all turned into ashes (Mahapashupatastragni nirdagdhasura sainyaka).
Gods proclaimed victory of Lalita devi on the drums and they showered flowers, lighted camphor blazes and shouted victory slogans.
Kama Sanjeevanam (rebirth of kama).
A.) Mother! Bhanda is dead but his friend Taraka is still alive to trouble us.
B.) To annihilate him Shiva must have a son
C.) We were trying for the same but in the mean while Manmadha (god of love) died and all these events happened
D.) Therefore kindly give rebirth to Manmadha and perform the marriage of Shiva and Parvathi.
Lalita devi smiled compassionately and looked at Kameshwara. From her looks Manmadha took rebirth .(Haranetragni sandagdha amasanjeevanaushadhih - meaning Lalita devi is the sacred herb sajeevini which gave rebirth to Manmadha who was destroyed by the fire from Shiva’s eye). Rati and Manmadha prostrated to the mother goddess and praised her.
The mother goddess blessed them and instructed:
A.) Manmadha! Now you need not fear
B.) Go once again and cast your magical arrow on Shiva
C.) Shiva will loose to you and will marry Parvathi
D.) With my blessings Shiva will do you no harm.
E.) From now on you can enter every ones body and cause aesthetic/ sensuous pleasures to them.
F.) Protect my devotees.
At the instructions of mother goddess Manmadha with his family went and cast his magic charm on Shiva. This time Shiva left renunciation and started searching vehemently for parvathi. Then Manmadha cast magical arrows on Parvati also. Shiva was very pleased with parvathi’s penance. He appeared before her, granted a boon and married her. Kumaraswamy was born to Shiva and Parvathi .He became the commander of Gods army and annihilated Tarakasura. He then married Devasena devi, the daughter of Indra.
After helping all the gods Manmadha left to Sripura to serve goddess Lalita devi.
Sripura Varnanam (Description of Sripura)
What does Sripura mean?
1.) Mount Meru has 4 peaks One on the eastern side, one on north west, one on the south west. Each is 100 yojanas tall and 100 yojanas wide these are trimurtis worlds. In the center of these is the fourth, which is 400 yojanas tall and 400 yojanas wide.
2.) Sripura is on the Middle peak. Sripura has got metallic compound walls 7 in number they are square shaped. Each wall is separated from the next one by one a distance of 7 yojanas.1. Kalayasa (iron) wall – The perimeter of this wall is 16 thousand yojanas2. Kansya (bronze) wall—Between these two is the first chamber. Several trees and gardens are located here. Mahakali and Mahakala are the gate keepers here. Kalachakra is their throne.
3. Tamra (copper) wall - Here is a forest of Kalpavruksha (wish granting tree). This is also called as Kalpavatica. This is the second chamber. Vasanta (spring) is its protector .Madhusri and Madhavasri are his consorts.
4. Seesa (lead) wall - Here is a forest of santana trees (progeny granting). This is the third chamber Grishma (summer) is the ruler . Shukrasri and Shuchisri are his consorts.
5. Aarkuta (brass) wall - This is the fourth chamber. Here is a forest of Hari chandanavruksha (yellow fragrant sandal wood). The ruler is varsharutu (rainy season. Nabhasri and Nabhasyasri are his consorts.
6. Panchaloha (five metal) wall—In this fifth chamber is a garden of mandara trees(Calotropis gigantea).Sharadrutu is the protector. Ishasri and Urjasri are his consorts.
7. Raupya (silver) wall – Sixth chamber.Parijata tree forest .Hemantarutu is the protector. Sahasri and Sahasyasri are his consorts.
8. Hema (gold) wall - Seventh chamber. Kadamba forest. Sisira (winter) s the protector. Tavasri and Tavasyasri are his consorts. This is where Mantrini devi resides in a temple. She has one more quarter very close to that of Lalita devi in Mahapadmatavi( forest of lotuses). When she is on duty she stays in that quarter. In this seventh chamber near Mantrini’s residence Matanga kanyas are constantly singing and dancing.
Matanga kanyaka charitra (story of Matanga kanya).
She was very happy with his penance and gave boon that she herself would be born as a daughter to him. A few days later Shyamala devi appeared in the dream of Siddhamati devi (consort of Matanga). Shyamala devi gave her a flower from the bunch decorating the formers ear. Very soon she had a female child who was named Laghushyama as she was born in a very short duration (Laghu = short, small). She was also called Matangi, Matanga Kanyaka. With her power she generated crores of virgins, who stay near Mantrini devi’s house and keep singing her praises all the time.
The Compounds of precious stones: Inside the golden compound, there are eleven prakaras (compounds) one inside the other and inside them there are six more compounds described hereunder. All these compounds are perfect squares. Here also, the distance between one compound and the other is Seven yojanas. (yojana is a measurement of length of about nine miles).
1. Pushyaraga Prakara (The compound of Topaz) The area between the golden compound and this one is called Pushyaraga area. Here male and female Siddhas reside. Those who were born earlier in the race of Siddha and who obtained attainment (Siddhi) in their spiritual practices worshipping the Divine Mother, stay here as Siddhas and gladly continue to worship Her.
2. Padmaraga Prakara (The compound of Ruby) Here celestials of the species called Caranas reside. Those who were born in Carana world and worshipped the Mother are reborn here, after attaining Her grace.
3. Gomedhika Prakara (The compound of Agate) In this arena, Kala Sankarshani devi resides. She is worshipped by the Yoginis and Bhairavas.
4. Vajra Prakara (The compound of diamonds) Apsaras and Gandharvas (divine dancers and singers) stay in this arena. They are ever engaged in the Japa (repetition) of the Divine Mother’s names and stay here happily. The river Vajranadi flows in this place. The Goddess Vajreswari stays here. When the demon Bhanda swallowed the diamond weapon (Vajra Ayudha) of Indra, he could get back his weapon by worshipping the Mother here.
5. Vaidurya Prakara (The compound of Cat’s eye) Those of the netherworld, who attained spiritual achievements by worshipping the Mother, stay in this arena. The emperor Bali also resides here.
6. Indraneela Prakara (The compound of Sapphire) Those people who were born on the earth stay in this area enjoying pleasures, after their worship of Lalita during their lifetime there. Soon after the effect of their punya (merit) is exhausted, they will be born again as human beings on the earth. By the effect of their previous pious deeds, they again worship the Mother and return once more to this pious place. Due to the blue colour of these precious stones, the dark effect of likes and dislikes persists in them. Hence they are born again and again. Those who can control their senses to merge in the ultimate state of salvation, i.e., in the Divine Mother. They do not have rebirth.
7. Mukta Prakara (The compound of pearls) Several rivers named Tamraparni, Mahaparni, Sadamukta, Sadodaka etc. flow in this area. The celestials who worshipped the Mother and chanted her Mantras stay here. The cities of the rulers of the eight sides exist here. (The eight sides are East, West, North, South, North-East, South-East, North-West and South-West).
8. Marakata Prakara (The compound of Emerald) The abode of the Goddess Dandanatha also called Varahi exists in this area. There is a garden of golden palm-trees here. The Goddess Unmattabhairavi, Svapnesvari, Tiraskarinidevi, Kirapadadevi reside in this area. When Goddess Dandanatha is on duty, she stays in a separate palace in the forest of Mahapadma (Big lotuses).
9. Vidruma Prakara (The compound of Coral) In this area, Brahma along with sages like Marica stays and worship the DivineMother.
10.Manikya Prakara (The compound of Gem) This area is also called the hall of gems i.e. Manikya Mantapa. Her Vishnu worships the Mother.
11. Navaratna Prakara (The compound of nine precious stones) In this area exists a huge hall with thousands of pillars. Here Siva along with his attendants constantly supervises the activities being done as per the orders of Lalita Devi.
12. Manomaya Prakara (The compound of mind) The entire area is a big well of Amruta (nectar). The Goddess Tara resides here. Along with her attendants, she rows a big boat and takes her devotees inside along with Her.
13. Buddhi Prakara (The compound of the intellect) The entire area is a big well of Bliss. The captain of the ship in this arena is the Goddess Varuni. She is also called as Sudha malini and Amruteswari.
14. Ahankara Prakara (The compound of Egoism) The entire area is a big well of criticism and nectar; The water of this well is nothing else than the nectar in the nerve Sushumna (The central nerve between Ida and Pingala nerves of one’s backbone). The captain of the ship in this area is the Goddess Kurukulla.
15. Suryabimba Prakara (The compound of the Sun) Here brilliance comparable to the light of the rising Sun exists always. Plenty of flowers called Kuruvinda are abundant here. The Sun performed penance here and obtained brilliance. Martanda Bhairava stays here. He has a very luminous form. His three wives are Mahaprakasa Sakti, Cakshusmati Sakti and Chayada Sakti (The powers of great brilliance, eyesight and shade).
16. Candrabimba Prakasa (The compound of the Moon) Moonshine ever exists here. The Moon performed penance here and attained illumination. Somanatha, the Lord of the stars is the chief deity of this area.
17. Srungara Prakara (The compound of eroticism) This area is full of waters of eroticism. Here Manmatha, (Cupid-the god of love) does Japa of the Mother’s sacred names, rowing in a boat. Only those who are of pure mind by nature can cross this area.
18. Cintamani Gruha (The abode of Gems) This is the great palace of Sri-chakra. It is called Mahapadmatavi also. Around the mansion, hundreds of thousands of lotus like palaces exist. To the east of this place, there is a large vessel with a diameter of one Yojana. This is called Arghya Patra (the vessel used to wash hands) b) At the south-east corner exists Cidagnikunda (The fire pit of knowledge). At the south-west exists Sricakra Ratha, the vehicle of Sricakra. At the north-west exists the Geya Cakra Ratha of the Goddess Mantrini. At the north-east exists the Kiri Cakra Ratha of the Goddess Dandini. In between the East and the south-east exists Mantrini gruha - the abode of the Goddess Mantrini. In between the East and the north-east exists Dandini gruha – the abode of the Goddess Dandini.
The description of the Palace of Chintamani
1. This palace is centrally located in Sripattana – The City of Sri (Wealth).
2. The walls of the palace are built with Cintamani gems.
3. The roof also is made of the same stones of Cintamani.
4. The palace has three towers by names Iccha Sikhara, Kriya Sikhara and Jnana Sikhara i.e. the towers of desire, action and knowledge.
5. The palace has four doors. They are called Amnaya devas. They are Purva, Dakshina, Pascima and Uttara – Amnaya devas (on the East, South, West and North sides). Amnaya means Veda.
6. Bindu Peetha (central seat of power) is centrally located in the palace.
7. This seat of power (peetha) has steps on four sides.
8. The entire structure described above is of the design of Sricakra.
9. All the male and female deities of Sricakra reside here.
10.The Bindu Peetha is called Sri Peetha, Maha Peetha, Vidya Peetha andAnanda Peetha also (The seat of prosperity, greatness, knowledge andbliss).
11.On the pedastal exists the cot of the five brahmas.
12.The cot has four legs namely Brahma, Vishnu, Mahesana and Iswara. These four deities have attained female form by worshipping Mother.
13.The plank resting on these legs is Sadasiva.
14.To the east of this cot, there are 36 steps, representing the 36 aspects of spiritualism.
15.There is a foot-rest in front of the cot.
16.There is swan like bed on the cot.
17.On the cot, there are two pillows for the head and one pillow for the legs.
18.A light red blanket is spread on the bed.
19.The Lord Kameswara sits on the cot facing the East. He is ever in the form of a sixteen year old boy. He has four hands and three eyes. He wears erotic costumes.
20.On His lap sits Lalita Devi. She is ever in the form of a sixteen year old girl. Her complexion is rosy. She wears erotic costumes. She has four hands. Her decoration is the moon.
21.As she pleases Sadasiva, she is called Lalita (Lalana - to please) Siva Kameswarankastha Siva Svadheena Vallabha Sumeru madhya srungastha Srimannagara nayika. Chintamani gruhantastha Pancha Brahmasana sthita. Maha Padmatavi samstha Kadamba vana vasini Sudha sagara madhyastha Kamakshi Kamadayini.